It’s that time of year again! Last week I took a trip back to the NEC in Birmingham for the annual trade show BETA international. It was my 5th visit to the show but unlike previous years, this time I wasn’t there to compete in the trainee saddler competition, resulting in a much more relaxing day! This gave me the time to explore the show a bit and see some of the new exciting products that will be launched into the equestrian trade this year.
The highlight for me is always the equestrian fashion show. Being a horse owner and rider myself, it is always interesting to see some of the new styles in equestrian wear but really, it’s just fantastic entertainment watching a group of models performing dance routines in body protectors and riding hats!
I spent most of my time in the Saddlery area which was considerably larger than previous years. It was wonderful to see Saddlery Businesses from all areas of the Saddlery showcasing their skills. One saddler had gone all out to draw in the crowds and made a multi-coloured unicorn saddle, complete with horn! I think it goes without saying that it turned a few heads and showed some incredible creativity and skill.
I also volunteered to demonstrate some stitching skills at the Saddlery Training Centre stand for a few hours. It’s always nice to chat to people who are considering saddlery as a career option.
Last week I also collected my new splitter machine who I have affectionately named Stanley, or “flat Stanley”. For those who aren’t familiar with a splitting machine, the best way to describe it is like a pasta machine but instead of two rollers it has one roller and then a huge blade on top. When a strap of leather is pulled through it splits the substance down (making it flatter…hence the name.) I was lucky enough to get my hands on a really old machine, as a general rule with saddlery tools the older the better! The thing about old tools is the tend to have quirks so Stanley does have the habit of splitting more off the right-hand side than the left. I’ll just have to make some small adjustments but it’s quirks like this that make me love the craft even more. No two pieces are the same and every little piece of leather has had some time put into it!
Every year Saddlers from all over the world flock to Saddlers Hall in London for the annual National Saddlery Competition. This year I was attending to officially receive my certificate of completion for my apprenticeship. It was a really nice way to round off 4 years of hard work. I was also fortunate enough to be awarded a bursary award on completion of my apprenticeship in recognition of my efforts.
Being THE competition in the Saddlery calendar, I also decided to enter a couple of classes. As it was the last year I was able to enter the trainee classes, I though I would make the most of it. I made a stallion inhand bridle for the trainee bridlework class, and then after a last-minute decision, I made a crupper and dock for the trainee harness class the day before I had to post my work (not stressful at all!)
Well it all turned out to be worthwhile as I got second place in the harness class and was given a premium award. Even better then that, my stallion bridle was awarded first place in its class and was also given a premium award. It’s obviously a great feeling to win awards like that but even better when you really feel you’ve earnt it with the hard work and time you’ve put in.
This week has been a slightly stressful week. Part of me thought I shouldn’t blog about it because I feel I shouldn’t be advertising my mistakes. The other side of me feels that everyone makes mistakes and it’s best to admit it and see where you can go next. After all I am only an apprentice and just starting my journey.
This week was the annual National Saddlery Competition at Saddlers Hall in London. I entered a few items this year including the infamous stingray dressage saddle I made for my final saddlery exam, and a double bridle I made for the trainee bridle exam.
I actually had a great result with my saddle being awarded a premium award. Anyone who has chatted to me over the past few months will know just how much stress that saddle has created (the price you pay for trying to make something a bit more creative) so to receive some recognition of my hard work is lovely.
The double bridle I made I was actually very pleased with, which is unusual for me as I’m such a perfectionist and very self-critical. On display with all the other bridles it did look really nice and I have to admit I was a little sad to not receive any award for it but at the end of the day the judges decision is final and there is such a high standard of competition you really have to have something exceptional to do well.
Well the really annoying moment was when I got to score card back to read. The trainee bridlework classes are usually done to a specification, so the item you make has to be to specific measurements. Silly old me had misread one of the measurements, so my reins were too short. The judge seemed more frustrated as me because I had received high marks in every other area, but the fundamental problem was that it didn’t match the specification!
Anyway, I’m trying not to dwell on it, as I said we all make mistakes, but this was a costly one and I’ll be sure to not make the same mistake again!
Yesterday I was back at the NEC in Birmingham to visit the annual BETA international trade show. This was my 4th visit to the show and 3rd time taking part in the trainee Saddler competition put on by the Society of Master Saddlers.
I always have mixed feelings about the competition at BETA. On the one hand I find the whole event a little stressful, but I also feel it’s important to put my work forward for criticism in order to maintain a high standard of work and constantly strive for improvement.
This year we were asked to make a cob sized pair of cheekpieces. We are all given the exact same materials and fittings to ensure its fair and then we are given a specification for the piece we are making. Typically, with cheekpieces you are given a measurement we refer to as the “made-up” measurement. This does not refer to a measurement that you make up from the top of your head but rather the measurement of the piece when it is fully made and stitched together, and the billets (the bottom loop where it attaches to the horse’s bit) will normally be closed.
We kicked off at about 10am and pretty early on it became apparent we were having slightly different approaches. While trying not to go into too much “saddlery speak” there is no set rule for where you place the billet hook regarding the strap. The further you go up the strap the bigger the loop will be around the bit but where exactly you go is a matter of personal preference. In the end I decided to go slightly further up the strap than the other competitors as I feel that if the loop is too tight, it makes it more difficult to do up. While we are always trying to create beautiful items and are desperate to let out our creative flair, items must always be fit for purpose and this should always be the primary concern.
Anyway, I won’t bore you with the rest of the details of the entire process of making a cheekpiece, but we finished and disappeared for a quick explore of the show while the judging commenced. This year they decided that the presentation of the results for the competition would be on the fashion show stage, so we made our ways over to the stage to find some seats.
It came to the results and we were all invited up on stage to receive a certificate for participation and then the announced the winner. To my surprise (which apparently was hilariously visible in my face) I was announced the winner of the competition. It sounds like it was a pretty close call, but the judges informed me that the decider was that the preferred the distance I had chosen for my billet hook – proof that it pays off to go against the crowd!
As if that wasn’t great enough, the winner and runners-up of the Abbey England scholarship award were also announced, and I was overjoyed to hear that I was one of the runners – up and was being awarded a hide of leather in a colour of my choice! Probably sounds terribly boring but to a trainee saddler it doesn’t get much better then that!
Today at work as part of my apprenticeship we were out at a yard saddle fitting when a customer asked if we could repair a headpiece…pictured below is said disaster!?
The story behind it is that the customers daughter had been cleaning her tack and once the headpiece was cleaned she hung it over the light-bulb to dry. She then forgot about it hanging there and when she returned it had burnt right through the padding!
These people were incredibly lucky that nothing actually caught light or their entire barn could have gone up in smoke. They were also very lucky that only the padding was damaged so I was able to simply put a new pad on.
Even without all this damage, leather doesn’t appreciate being next to heat sources so think about how you store your leather and if you are drying it out just leave it in a well aired space. The leather on this headpiece was incredibly dry when I got my hands on it but luckily I gave it a good treatment with some leather balm.
Last week I was a competitor in the trainee saddler competition at the BETA international trade show. This was the second time I’ve agree to take part and after the event I am always glad I went but I’ve got to be honest, I tend to find the day rather stressful. I am very comfortable working when tucked away in my little workshop but the atmosphere at BETA is a little different. The competition is usually run at a workbench in the centre of the exhibition hall, within the Saddlery area, with just a rope surrounding us so that anyone passing by can look at what we are doing. Some people will just walk past and glance in our direction, but others like to come right over and watch, ask questions and even take pictures. I find it all a bit intimidating and on top of all that we are supposed to be competing!
Luckily, we are all in the same boat and being quite a small trade, I know most of my fellow trainees fairly well and it tends to be more of a supportive atmosphere than competitive! This year we were asked to make a raised noseband, but to our horror we were informed we would have to stitch it in white! Now I will admit, I think bridlework stitched in white thread looks beautiful, but I’m not sure people understand the amount of extra work that goes into stitching with white thread compared to black or brown. Firstly, because white thread is such a contrast it really highlights each stitch, and therefore highlights EVERY imperfection. This means there is more pressure to get every stitch perfect or it will stick out like a sore thumb! Also, when working with leather we also have to stain the edges we have cut and as the name suggests, it will stain anything it touches. So, the thought of trying to keep white thread clean and get the stitches perfect, all while trying to compete for first place had a few of us sweating before we even started!
Thankfully we all finished within the time and without any major injuries or breakdowns! I didn’t envy the judges this year as when the pieces were all laid out on the bench, we could barely recognise which one was our own. Anyway, they were able to come to a decision and I was excited to learn I was awarded the runner-up award. It must have been so close to judge as I think there was only 1 mark difference between 1st -2nd place and 2nd-3rd place. It’s great to think that there is such a consistent standard of work amongst the trainee saddlers, after all, we are the future of the trade!
This week was a really exciting week. We went down to London for the National Saddlery Competition. The main reason for my attendance was to collect my portfolio as the official recognition of me starting my apprenticeship. I also decided to enter a couple of classes – it is a competition after all!
The exciting twist to this year’s competition was that The Princess Royal was attending and handing out the portfolios. Her Royal Highness is in fact the Master of the Worshipful Company of Saddlers’ and has attended a few of the competitions over the year.
Well this had obviously had an impact on the number of entries (an entry in the competition is the only way to guarantee a ticket to the event) as the hall was packed with both people and entries.
I entered the master and apprentice class where I had to make a breastplate and then my master made a martingale attachment to add to it. I also entered the trainee bridlework class which was an inhand stallion bridle. Fortunately, I recently completed my final bridle making exam and one of the exam pieces was an inhand stallion bridle, so I just entered my exam piece.
Although I didn’t place in either class, I was awarded premium awards for both my entries. Premium awards are given to pieces of work that are of an exceptional standard so as far as I am concerned that is still an achievement and encouragement that my work is heading in the right direction.
Well this week was an exciting week. My first trip (hopefully not the last) to The National Saddlery Competition. The competition is run by The Society of Master Saddlers and hosted by the Worshipful Company of Saddlers at Saddlers’ Hall, London.
Well my first experience of Saddlers’ Hall was not a disappointment. It’s a beautiful building with some incredible features but the highlight was definitely seeing the work on display made by some incredibly talented saddlers.
I, along with all of my college classmates, had entered one of the most basic trainee saddlery classes. There was a specification for this which was to make a headcollar conforming to the Level 2 bridlework assessment.
I was thrilled to learn that I had been awarded a premium award for my entry. These awards are given to work that are considered to be of an exceptional standard.
Wow this week seems to have gone by in a bit of a blur…possibly because I’ve had a stinking cold and have wanted to be curled up under a blanket! On Monday, we had a college trip to BETA international which is a huge equestrian trade fair held once a year at the NEC in Birmingham.
The main reason we went is because, The Society of Master Saddlers put on a competition for students and apprentices and I was one of the students selected to compete. When I woke up at 5:30am on Monday morning to find I had come down with a stinking cold, I’m sure you can sympathise that the last thing I wanted to do was have a long day at a trade show and compete with my fellow classmates. Anyhow I filled myself with cold medication and made my way to college to hop on the minibus to Birmingham (very glad I didn’t have to drive all that way!)
Our task was to make a basic foal slip so we were all perfectly capable but in the atmosphere of BETA with all sorts of people watching it seemed an intimidating task. Nevertheless, we got to work cutting our straps. By now the cold tablets had well and truly kicked in and I was feeling much more alive, so I decided to not put any pressure on myself and just try and enjoy the opportunity. Afterall, it wasn’t that different to a normal day at college other than the fact that we were being watched! I actually started to quite enjoy myself chatting to some interesting people who were walking around the show, some interested in training in Saddlery themselves, and some who just wanted to watch out of curiosity.
As it got towards the end of our time, I was fortunate to be the furthest ahead on making the foal slip. This helped me to stay relaxed in the finishing off process while a few of my competitors where noticeably starting to get a bit stressed. Thankfully we all finished, and the judges took a look while we went off to have some food.
By the time we returned to the Saddlery area, the judges had made their decisions and we gathered for a small presentation. Firstly, we were all given a certificate to recognise are participation. Then the announced the winner…I was overjoyed to hear my name being called! I want to say a big well done to all my fellow competitors who also made some beautiful items!